{"id":22174,"date":"2016-06-28T03:37:29","date_gmt":"2016-06-28T07:37:29","guid":{"rendered":"http:\/\/edmundalleyn.com\/fr\/articles\/"},"modified":"2025-11-27T15:04:14","modified_gmt":"2025-11-27T20:04:14","slug":"articles","status":"publish","type":"page","link":"http:\/\/edmundalleyn.com\/fr\/articles\/","title":{"rendered":"Articles"},"content":{"rendered":"<p>[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column css=\u00a0\u00bb.vc_custom_1466499995513{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n<h2>Articles<\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 40px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-23085 alignleft\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2025\/11\/5456567f1d443b69b3ccd62df8a87865-300x200.webp\" alt=\"\" width=\"549\" height=\"366\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2025\/11\/5456567f1d443b69b3ccd62df8a87865-300x200.webp 300w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2025\/11\/5456567f1d443b69b3ccd62df8a87865-768x512.webp 768w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2025\/11\/5456567f1d443b69b3ccd62df8a87865-700x467.webp 700w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2025\/11\/5456567f1d443b69b3ccd62df8a87865.webp 924w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/p>\n<p><b>Explorateur des lendemains<br \/>\n<\/b>Eric Cl\u00e9ment, <i>La Presse<\/i>, lundi 6 f\u00e9vrier 2023.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\u00ab Le peintre souhaitait mettre de c\u00f4t\u00e9 un certain formalisme et ses influences pr\u00e9c\u00e9dentes pour exprimer la r\u00e9alit\u00e9 du progr\u00e8s scientifique qu\u2019il voyait se d\u00e9velopper \u00e0 vitesse grand V. \u00bb<\/p>\n<p><b>Lire l\u2019article au complet\u00a0:<\/b><br \/>\n<a href=\"http:\/\/www.theglobeandmail.com\/arts\/art-and-architecture\/montreal-exhibit-showcases-the-many-sides-of-painter-edmund-alleyn\/article30394758\/\">https:\/\/www.lapresse.ca\/arts\/arts-visuels\/2023-02-06\/edmund-alleyn\/explorateur-des-lendemains.phphttp:\/\/www.theglobeandmail.com\/arts\/art-and-architecture\/montreal-exhibit-showcases-the-many-sides-of-painter-edmund-alleyn\/article30394758\/<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100045041{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-22149\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/exhibit.jpg\" alt=\"exhibit\" width=\"620\" height=\"349\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/exhibit.jpg 620w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/exhibit-300x169.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><b>Montreal exhibit showcases the many sides of painter Edmund Alleyn<br \/>\n<\/b>Robert Everett-Green, <i>The Globe and Mail<\/i>, Friday, Jun. 10, 2016.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\u00ab Alleyn made art for half a century, and seems never to have reached any final conclusions about his foremost concern, other than to remain open to whatever appeared on his canvas. \u00bb<\/p>\n<p><b>Lire l\u2019article au complet\u00a0:<\/b><br \/>\n<a href=\"http:\/\/www.theglobeandmail.com\/arts\/art-and-architecture\/montreal-exhibit-showcases-the-many-sides-of-painter-edmund-alleyn\/article30394758\/\">http:\/\/www.theglobeandmail.com\/arts\/art-and-architecture\/montreal-exhibit-showcases-the-many-sides-of-painter-edmund-alleyn\/article30394758\/<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100045041{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-22161\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/iceberg.png\" alt=\"iceberg\" width=\"495\" height=\"261\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/iceberg.png 468w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/iceberg-300x158.png 300w\" sizes=\"auto, (max-width: 495px) 100vw, 495px\" \/><\/p>\n<p><strong>\u0152uvre embl\u00e9matique d\u2019Edmund Alleyn d\u00e9voil\u00e9e au Mus\u00e9e des beaux\u2010arts de Montr\u00e9al<\/strong><\/p>\n<p>26 mai 2016[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\u00ab Tel un tableau vivant aussi familier que d\u00e9concertant, Iceberg Blues pr\u00e9sente des personnages peints grandeur nature sur de grands panneaux de plexiglas, mat\u00e9riau synth\u00e9tique relativement nouveau \u00e0 l\u2019\u00e9poque. \u00bb<\/p>\n<p><strong>Lire le communiqu\u00e9\u00a0:<\/strong><br \/>\n<a href=\"https:\/\/www.mbam.qc.ca\/wp-content\/uploads\/2016\/05\/mmfa-release-iceberg-blues.pdf\">https:\/\/www.mbam.qc.ca\/wp-content\/uploads\/2016\/05\/mmfa-release-iceberg-blues.pdf<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100077014{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<b><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-22163\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/rediscover.jpg\" alt=\"rediscover\" width=\"620\" height=\"349\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/rediscover.jpg 620w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/rediscover-300x169.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/b><\/p>\n<p><b>Rediscovering the lost genius of Edmund Alleyn &#8211; Exhibition at the MAC seeks to restore reputation of a modern master of Quebec painting<\/b><\/p>\n<p>Jonathan Montpetit, CBC Newa, 22 mai, 2016[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\u00ab\u00a0Because he had a language battle being [an]\u00a0anglophone\u00a0who was then was\u00a0brought up in French school,\u00a0I think images really became his language and his country. \u00bb<\/p>\n<p><strong>Lire l\u2019article au complet\u00a0:<\/strong><br \/>\n<a href=\"http:\/\/www.cbc.ca\/news\/canada\/montreal\/edmund-alleyn-mus%C3%A9e-art-contemporain-de-montr%C3%A9al-1.3594374\">http:\/\/www.cbc.ca\/news\/canada\/montreal\/edmund-alleyn-mus%C3%A9e-art-contemporain-de-montr%C3%A9al-1.3594374<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100077014{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-22166\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/argo.jpg\" alt=\"argo\" width=\"620\" height=\"349\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/argo.jpg 620w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/argo-300x169.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/p>\n<p><b>L\u2019argonaute de l\u2019art<\/b><\/p>\n<p>\u00c9ric Cl\u00e9ment, La Presse +, 21 mai 2016[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\u00ab Combinant un talent impressionnant (il faut voir ses dessins&#8230;), une soif d\u2019intensit\u00e9 cr\u00e9atrice et une grande acuit\u00e9 vis-\u00e0-vis de son environnement, il avait le go\u00fbt de faire siens tous les m\u00e9diums. Tel l\u2019argonaute en qu\u00eate de toison d\u2019or, cet artiste a, durant toute sa carri\u00e8re, pouss\u00e9 ses recherches au-del\u00e0 du connu, du palpable, du pr\u00e9visible. Hors norme, Edmund Alleyn \u00e9tait un explorateur de l\u2019art. \u00bb<\/p>\n<p><b>Lire l\u2019article au complet\u00a0:<\/b><\/p>\n<p><a href=\"http:\/\/plus.lapresse.ca\/screens\/913f4f5c-42c4-4e75-a216-4afcf234cd4d%7C_0.html\">http:\/\/plus.lapresse.ca\/screens\/913f4f5c-42c4-4e75-a216-4afcf234cd4d%7C_0.html<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100077014{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<b><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-22168\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/MAC.jpg\" alt=\"MAC\" width=\"620\" height=\"349\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/MAC.jpg 620w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2016\/06\/MAC-300x169.jpg 300w\" sizes=\"auto, (max-width: 620px) 100vw, 620px\" \/><\/b><\/p>\n<p><strong>Edmund Alleyn au MAC. L\u2019empreinte d\u2019un artiste libre sur l\u2019histoire de l\u2019art<\/strong><\/p>\n<p>Mus\u00e9e d\u2019art contemporain de Montr\u00e9al, 18 mai 2016[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<span lang=\"fr-CA\">\u00ab C\u2019est avec une immense fiert\u00e9 que le Mus\u00e9e d\u2019art contemporain de Montr\u00e9al (MAC) pr\u00e9sente, du 19 mai au 25 septembre 2016, l\u2019\u0153uvre d\u2019Edmund Alleyn, artiste qu\u00e9b\u00e9cois majeur qui a influenc\u00e9 plusieurs cr\u00e9ateurs de la g\u00e9n\u00e9ration suivante et dont la place dans l\u2019histoire de l\u2019art qu\u00e9b\u00e9cois m\u00e9rite d\u2019\u00eatre illumin\u00e9e. \u00bb<\/span><\/p>\n<p>\u00ab \u00c0 chacune de ses p\u00e9riodes, Edmund Alleyn \u00e9tait un nouvel artiste. Comme s\u2019il avait toujours \u00e9t\u00e9 trentenaire ! Un surdou\u00e9 se r\u00e9incarnant chaque d\u00e9cennie&#8230; \u00bb<\/p>\n<p>\u2014 Mark Lanct\u00f4t, conservateur, dans l\u2019article d\u2019\u00c9ric Cl\u00e9ment, La Presse<\/p>\n<p><span lang=\"fr-CA\"><strong>Lire le communiqu\u00e9\u00a0:<\/strong><br \/>\n<a href=\"http:\/\/www.macm.org\/communiques\/edmund-alleyn-au-mac\/\">http:\/\/www.macm.org\/communiques\/edmund-alleyn-au-mac\/<\/a> <\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100077014{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22731 alignleft\" src=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2014\/08\/Linvitation-au-voyage_1990_huile-sur-toile-3-300x150.jpg\" alt=\"\" width=\"586\" height=\"293\" srcset=\"http:\/\/edmundalleyn.com\/wp-content\/uploads\/2014\/08\/Linvitation-au-voyage_1990_huile-sur-toile-3-300x150.jpg 300w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2014\/08\/Linvitation-au-voyage_1990_huile-sur-toile-3-768x384.jpg 768w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2014\/08\/Linvitation-au-voyage_1990_huile-sur-toile-3-800x400.jpg 800w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2014\/08\/Linvitation-au-voyage_1990_huile-sur-toile-3-700x350.jpg 700w, http:\/\/edmundalleyn.com\/wp-content\/uploads\/2014\/08\/Linvitation-au-voyage_1990_huile-sur-toile-3.jpg 801w\" sizes=\"auto, (max-width: 586px) 100vw, 586px\" \/><\/p>\n<p lang=\"en\" data-cy=\"detailHeadline\">\n<p class=\"detailHeadline\" lang=\"en\" data-cy=\"detailHeadline\"><strong>Rediscovering the lost genius of Edmund Alleyn<\/strong><\/p>\n<p><span class=\"authorText\" data-cy=\"author-text\">Johnaton Montpetit<\/span><span class=\"bullet\">\u00a0<\/span>CBC News, May 22, 2016[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<span lang=\"fr-CA\">\u00ab <\/span>This insistence on reinvention and iconoclasm made it difficult for the art world to classify\u00a0Alleyn&rsquo;s\u00a0work, as it\u00a0runs against the conventional expectation that artists develop an distinct style and stick with it.\u00bb<\/p>\n<p><b>Lire l\u2019article au complet\u00a0:<\/b><\/p>\n<p><a href=\"http:\/\/plus.lapresse.ca\/screens\/913f4f5c-42c4-4e75-a216-4afcf234cd4d%7C_0.html\">https:\/\/www.cbc.ca\/news\/canada\/montreal\/edmund-alleyn-mus%C3%A9e-art-contemporain-de-montr%C3%A9al-1.3594374http:\/\/plus.lapresse.ca\/screens\/913f4f5c-42c4-4e75-a2<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1467100077014{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column][vc_row_inner row_type=\u00a0\u00bbrow\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb use_row_as_full_screen_section_slide=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column_inner][vc_separator type=\u00a0\u00bbnormal\u00a0\u00bb border_style=\u00a0\u00bb\u00a0\u00bb thickness=\u00a0\u00bb1&Prime; down=\u00a0\u00bb10&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 20px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]<b><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb][vc_column css=\u00a0\u00bb.vc_custom_1466499995513{padding-bottom: 30px !important;}\u00a0\u00bb][vc_column_text] Articles [\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb css_animation=\u00a0\u00bb\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1466499334324{padding-bottom: 40px !important;}\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text] Explorateur des lendemains Eric Cl\u00e9ment, La Presse, lundi 6 f\u00e9vrier 2023.[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2&Prime;][vc_column_text]\u00ab Le peintre souhaitait mettre de c\u00f4t\u00e9 un certain formalisme et ses influences pr\u00e9c\u00e9dentes&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":12,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22174","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/pages\/22174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/comments?post=22174"}],"version-history":[{"count":17,"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/pages\/22174\/revisions"}],"predecessor-version":[{"id":23135,"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/pages\/22174\/revisions\/23135"}],"wp:attachment":[{"href":"http:\/\/edmundalleyn.com\/fr\/wp-json\/wp\/v2\/media?parent=22174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}